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Poly Weiyang Pu Yue adopted the idea of Song's classical garden building, created the essence of the "ternary" space of the home ritual order, and completely retained the hierarchical sense of the Oriental garden: one step of the ceremonial gate to show the power, and then the next step of the landscape garden poetry and painting, and the third step to the pavilion and the bridge. ,
In the hustle and bustle of the center of Weiyang City, enjoy the relaxation of "enjoying prosperity, retreating poetry and painting", and find the life aesthetics of "seclusion in the city".
Tang poems, Song paintings, Jiangnan gardens... When these fragments deposited in the long river of history are picked up again, complexity is beautiful, simplicity is also beautiful, seiko is beautiful, simplicity is still beautiful. It is flowing, washed away the sediment of the years is still enduring, contains the eastern spirit that is not defined, but also becomes the expression of Poly Weiyang Pu Yue is constructing.
The advanced sense of space does not need to be completed by stacking, and appropriate white space is a higher level of presentation. In order to cooperate with the large-scale horizontal space, the longitudinal space abandons the superfluous decoration, and matches the local overlapping form with a soft streamline, retaining the atmosphere and simplicity of the overall space without losing the aesthetic style of texture.
The overall space follows the light rice tone, dark floor and leather texture to the touch of snowflake horsehair, from the texture of stone to the warm growth of wood, and the depiction of light and shadow and materials, connecting an object and an instrument into a whole, outlining the rich spatial form in front of us. They attach great importance to the openness and display of space.